Jekyll; Or, The Doctor’s Records

The records begin in 1817. They do not end there. Henry Jekyll did not die the night Stevenson's story was meant to close. He survived — and what survived alongside him was not entirely Jekyll at all. This is the confession he has spent two centuries writing. Jekyll; or, The Doctor's Records is a gothic audio fiction series adapted from the debut literary horror novel by Theodore Siren and performed by the author — scored for atmosphere, sound, and dread by Paradigm Logic Studios. Each chapter unfolds a world where the fog of Whitechapel never quite lifts, where Frankenstein's monster is a rumor passed between the wrong kind of people, and where a man who cannot die must eventually reckon with everything that kept him living. New episodes release weekly. The story concludes December 25th. Written in the tradition of Stevenson, Shelley, and Wilde. For listeners who prefer dread over gore, and prose that lingers. Performed by the author. Original score and sound design by Paradigm Logic Studios. Produced by Pink Crow Press.

Episodes

Latest Episodes

Aug 6, 2026

53 sec

The teaser trailer for the upcoming podcast for the Pink Crow Press novel, "Jekyll; or, The Doctor's Records."

Aug 6, 2026

53 sec

About The Author

Theodore Siren is a Navy veteran, author, and educator based in Northwest Florida. He holds an M.A. in Literature and a B.A. in Creative Writing from the University of West Florida, where he has taught literature and creative writing as an adjunct. His academic work explores the power of storytelling as a tool for healing — a conviction shaped by his own military service and his experience facilitating creative writing workshops for veterans.

His debut novel, Jekyll; or, The Doctor’s Records, is the first book in a literary gothic series that reimagines the classics of nineteenth-century horror — Shelley, Stevenson, Wilde — not as separate stories, but as one. Drawing on the tradition he studied and now teaches, Siren writes atmospheric, psychologically charged fiction where the dread builds slowly and the questions don’t resolve easily. His prose favors confession over spectacle, and his stories linger long after the last page.